After the almost-documentary photography of Burning Nest, I wanted to try something a bit creative, and without much expectation of an end result. I bought a job lot of cheap Cokin filters from eBay a while ago, including some shaped bokeh filters, and a multi-image glass filter, that splits the image into 5 parts. While visiting a friend in Norwich, we got some fairy lights out of his loft, and shot a roll of images in the dark using the filters. Then, I rewound the film (being careful to leave the leader out) and re-shot the roll in the nearby woods, Mousehold Heath.
Burning Nest is a yearly celebration of art, music, and alternative culture, held in the UK. It’s a free-spirited celebration, its more-famous sibling being Burning Man, held in Black Rock, Nevada. The Cornwall celebration this year was significantly smaller, hosting around 500 people in the glorious grounds of a stately home (I wonder if they knew what they were letting themselves in for).
I’ve used a trusty Nikon Coolscan IV for years, since I bought it for a song from someone who didn’t really know what it was (sometimes in life, you get lucky). It’s a fantastic scanner – quick, produces scans of decent size, and because it focuses on the film itself, capable of producing sharp results. However, it’s only designed for 35mm film – as I’m shooting more and more 120 film recently, I thought it was (sadly) time to replace it.
I last used a proper darkroom in college, for a brief course that set off my film photography obsession with a vengeance. I’ve been looking for darkrooms to use ever since, and thought it was a good idea to have refresher course before I start stinking of fixer and ruining sheets of Ilford Multigrade again.
I’ve always been drawn to super wide-angle lenses. I don’t know why – a combination of the distortion (reminds me of 90’s skate videos) and being able to get REALLY CLOSE to things and still get a whole background in, maybe. A kind person over on the Talk Photography forums kindly lent me theirs – a 17mm Tamron lens, which I quickly picked up an adaptor for.
Sheila is a London-based freelance digital operator, lighting assistant and photographer – making photographer’s lives easier on shoots! Studio lighting, processing and professional workflows are something I have absolutely no experience of, so it was really interesting to hear from Sheila as to what attracts her to photography.