I’ve used a trusty Nikon Coolscan IV for years, since I bought it for a song from someone who didn’t really know what it was (sometimes in life, you get lucky). It’s a fantastic scanner – quick, produces scans of decent size, and because it focuses on the film itself, capable of producing sharp results. However, it’s only designed for 35mm film – as I’m shooting more and more 120 film recently, I thought it was (sadly) time to replace it.
I last used a proper darkroom in college, for a brief course that set off my film photography obsession with a vengeance. I’ve been looking for darkrooms to use ever since, and thought it was a good idea to have refresher course before I start stinking of fixer and ruining sheets of Ilford Multigrade again.
I’ve always been drawn to super wide-angle lenses. I don’t know why – a combination of the distortion (reminds me of 90’s skate videos) and being able to get REALLY CLOSE to things and still get a whole background in, maybe. A kind person over on the Talk Photography forums kindly lent me theirs – a 17mm Tamron lens, which I quickly picked up an adaptor for.
Sheila is a London-based freelance digital operator, lighting assistant and photographer – making photographer’s lives easier on shoots! Studio lighting, processing and professional workflows are something I have absolutely no experience of, so it was really interesting to hear from Sheila as to what attracts her to photography.
If you’re going to try out a new film or a new camera, you usually do one or the other. This reduces your chance of failure, and gives you the opportunity to assess the film or camera properly (without too many new variables). However, on this occasion I decided to throw myself in at the deep end. A new film (Lomography Redscale) and a new camera, the Lomography Konstructor! The Konstructor is a DIY kit camera – lots of plastic bits you put together yourself.
One of the fantastic things about shooting film, is the relatively low cost of our kit. Plastic cameras can give such fun results from so little outlay, that it encourages many people to get extra-creative. Not content with the existing wide-angle offerings on the film market, Steve Lloyd decided to put together something of his own!